There are four recording areas, two have flexible acoustic options from lively, to quite dead, by the use of baffles & screens. The third is a vocal isolation booth. The fourth being the gallery behind the engineer's work space. This means 'live' recordings can achieve excellent separation and audio quality, even at high backline volumes.
Equipment List:
Soundcraft Ghost 32 channel analogue mixer with midi-mute automation. Tascam MSR24 analogue 24-track machine on 1" tape with DolbyS. Digital multitrack with Pro Tools, Audition, Waves, Autotune, Izotope etc.
Outboard:
TL Audio Ivory C5021 valve compressor, TL Audio Indigo C2021 Valve Compressor, Yamaha SPX900, Yamaha SPX50D, Lexicon MPX100, Digitech Time Machine 7.6, Alesis Nanoverb 2, Drawmer DS404 Quad Gate, 2x Drawmer LX20 Dual Compressors, Sony D7 Delay, Boss SX-700 Multi FX, Akai S2000, E-MU Proteus 2000, Oberheim Matrix 1000, Carillon Control 61.
Other recorders:
Otari MTR-10 1/4", Zoom F8n plus FRC8 mixer (for location and film sound), Zoom H4n (4-channel),Tascam DA20 Mk2 DAT, Sharp MD701 Minidisc, Technics turntable, Philips CDR 870 CD writer, Denon DRM-740 cassette, Yamaha KX-490 cassette.
Microphones:
SE Gemini Mk2, Rode K2, Audix D6, SE 8 (overhead pair), 2x Rode NTG-2, 2x AKG C1000s, AKG D112, 4x AKG C418, 3x AKG D40, AKG C430, Beyer M69N, 2x Beyer M300, Beyer Opus 88, 4x Shure SM58, 3x Shure SM57, Sennheiser MKE2 x 4.
Headphones:
8x Beyer DT100, AKG K240, Rode NTH-100
Monitors:
Tannoy System 10, Yamaha HS50-M
